Thursday, December 18, 2014

La Clemenza di Tito from Théâtre des Champs-Élysées on Arte (soon)

Arte TV live-streamed the new production of La Clemenza di Tito from Théâtre des Champs-Élysées today. It should be ready for archival viewing in a day or so. At left we see Kurt Streit as Tito, Kate Lindsey as Sesto, and Robert Gleadow as Publio. 

While we cool our heels waiting to see/hear the performance, we can whet our appetites with a few brief videos, as found on the Theatre’s YouTube channel. I have shared a few that include singing (yay singing!) Other clips include interviews with the artists. Sadly (for those of us who are French comprehension-impaired), without subtitles. 



Can there ever be enough La Clemenza di Tito? I don't think so!









Saturday, December 13, 2014

Neuenfels, Kaufmann, and Opolais – More about Manon Lescaut

I was going all nostalgic (for the summer...I have a short memory) and looking for the recording I made when BBC Radio 3 broadcast Manon Lescaut from the Royal Opera House. Of course that file has gone missing. After trolling the various disc drives where my music goes to hide, I gave up and googled it, thinking someone else must have recorded the broadcast. 

Well, I did find it, for 7 bucks, which I don’t care to spend on a questionable mp3 download. But better yet, I found this:

Interviews with the director, conductor, and stars of the Bayerische Staatsoper production. It's amazing what you find when you're looking for something else!



I also found this trailer:



Friday, December 12, 2014

Natalie and Véronique and Topi and Luca vs. Mozart's C-minor Benedictus (Audio only)


Well, here is the Benedictus from this recording. The one chance for the bass soloist to sing! Think what other goodies the tenor and bass might have ended up with, if Mozart had managed to complete this Grand Mass!  

I like Natalie, but she's not my first choice to top this quartet*. Meanwhile, I love Véronique, Topi, and Luca; and the chorus is quite good. The timpanist seems heavy-handed; but it is the "end" of the mass. I guess he wanted it to sound really final.

References to this recording indicate that the score has been "revised" by Louis Langree. This means I now have to do some research to find out what exactly he felt he had to do to "fix" the work.



*One soprano in particular I enjoy hearing in this mass is Miah Persson.

Thursday, December 11, 2014

In Other Staatsoper News - Manon Lescaut vs. Hans Neuenfels


The new production of Manon Lescaut at the Bayerische Staatsoper is produced/directed by the ever divisive Hans Neuenfels (I love his work, but many don't!) Possibly redeeming the production (or in my case, making it even more exciting) are the two leads: none other than Jonas and Kristine!

The opera will be broadcast, but not till next summer. Meanwhile be on the lookout for (probably) scathing reviews of the production. See more pics at the Staatsoper website.

And here are a few reviews (I am sure there are more somewhere) to tide us over, tempt us, or make us certain we don't want to see it. (Check all that apply.)
Bachtrack (in English)
Der Neue Merker (auf Deutsch)

Wednesday, December 10, 2014

Luca Interview: "I am Figaro" (unfortunately overdubbed in German)

Here is a brief interview on Bavarian Radio with Luca. He is back to Figaro at the Bayerische Staatsoper. But he talks a bit about the contrast between singing the Count (der Graf) and Figaro. The interviewer asks questions in German (natch!) but Luca answers in English (great!) except as soon as he starts talking, some German dude starts translating over him (buh!). 

With a bit familiarity with German, and catching the beginning and ending of Luca's English antworten...I mean answers, one can pick up that he feels very much at home with Figaro, but enjoys being the bad guy too. He also contrasts the sunny mood of Italy with the darker attitude in Austria. I am sure Austrians just love hearing that! 
So here it is. Enjoy!

Tuesday, December 9, 2014

Dorothea Roschmann Speaks! (About Her New Recording)

Internationally acclaimed soprano Dorothea Röschmann discusses her debut recital CD Portraits in an exclusive interview with Askonas Holt. 

The who, the how, and the why. It;s wonderful to hear her thoughts about the program. I guess I need to get out and buy the CD now! 



Monday, December 8, 2014

Monday Morning Mozart – Natalie vs. Véronique

The Soprano Sing-off from Mozart's C-minor mass. This time with two sopranos (often we hear a mezzo in the role of Soprano 2.) I am not sure where this came from, but as you can imagine, I was searching for Luca Pisaroni when it cropped up. (The bass gets totally short-changed in Mozart's partial setting of the Roman Catholic Mass.)



Huh! The entire Mass was at YT just the other day. Ach, the ephemeral internet!
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