Sunday, March 6, 2016

In Memorium Nikolaus Harnoncourt

RIP Nikolaus Harnoncourt: cellist, conductor, musicologist, musician, artist. This man helped influence my love of Bach (through his chamber music recordings, the B-minor Mass, St. Matt Passion, the Gamba sonatas, and, especially his participation in the intrepid Bach cantata series on Telefunken). Later he taught me to listen to Mozart (and Beethoven and Schumann, and even Brahms and Verdi) in different ways. Fortunately, his expansive recorded legacy ensures that he will always be with us.

Speaking of Mozart, here is the finale from his quintessential 2003 La Clemenza di Tito.



Wednesday, January 27, 2016

Even More Mozart – from Dorothea Röschmann and Christian Gerhaher

And then there are these two fairly new discs, which I actually got a few weeks ago. 


The DR program is a known quantity from the radio broadcast of the concerts last year. It's remains a wonderful program; and I continue to wish someone would cast her as Vitellia again...soon...and somewhere I can hear her (and hopefully see her, too.) I also wonder, as her voice darkens wonderfully, if she (and any impresario) would consider taking on Dorabella. She’d be awesome in any variety of interpretations (insane, oversexed, neurotic, naïve, or any combination thereof.)

The GG program is completely new on my radar. Also, taken from live performances last year, this concert contains the usual suspects as far as arias go, but GG has made an effort to create a program with an overarching theme. While the DR concert had an entire Mozart piano concerto in the middle of it* (not included on the CD), GG's disperses the four movements of Symphony no. 36 throughout his program (and not in symphony order.) On paper it sounds messy and/or contrived; but in hearing, I think it works quite well. 

These discs (as well as the Clemenza I mentioned yesterday, plus both recently observed Zauberflöten) call for separate posts that are more review-like (vs. the wow! look what I found! type of post.)  


*I still think there was a missed opportunity here to program the concert aria (with piano), "Ch'io mi scordi di te? ... Non temer, amato bene;" but for some reason they didn't ask me when they were planning the concert.

Tuesday, January 26, 2016

Vesselina (and Véronique and Charles) in my Mailbox...

Mozart Week continues at my house! This arrived today:


I finally tracked down a copy of this 2006 recording. It's hard to believe I haven't tagged any posts with LCdT for almost a full year. A while back I featured Tito's three arias sung by Charles Castronovo, not realizing they were from this recording. A quick search did not reveal any other clips from this CD over at the Toob. In the next week or so, I will see what I can do to address this gap.

Monday, January 25, 2016

Due Don Giovanni(s) aus Salzburg

Salzburg 1954: (English subs):

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Salzburg 2014: (No subs):



Is this becoming a Mozart blog? Well, so what if it is?? Please enjoy!

Saturday, January 23, 2016

Saturday Matinee: Two More by Mozart

An "old friend" (with blue Kool-aid). English subs.




And a familiar opera in a crazy new setting (literally). French subs. (Are the inmates in charge?)



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