Here is Benjamin Appl with Jonathan Ware, performing Beethoven's An
die ferne Geliebte at the Ravinia
Festival (Chicago), Summer 2010. I fell in love with his recent Schubert recital from Schwarzenberg. His singing is so
expressive that you don't need to see him to "get" what he's doing.
But it doesn't hurt, either! Happy Friday!
A Voice of Moderation in the Extreme World of Opera Fanaticism
(With frequent gratuitous mentions
of Malin Hartelius, Dorothea Röschmann, and Luca Pisaroni)
Showing posts with label An die ferne Geliebte. Show all posts
Showing posts with label An die ferne Geliebte. Show all posts
Friday, July 10, 2015
Friday, May 17, 2013
Gratuitous Friday Special Edition – Die Ferne Geliebte is Closer Than You Think
You know how you hear a piece maybe one time—maybe it was a long
time ago—and you never really think about it again? Then all of a sudden it's
everywhere you look (listen). I finally downloaded Christian Gerhaher's
recording of Beethoven's An die ferne Geliebte (To the Distant Beloved) (mostly
for the Berg and Schoenberg selections) and rediscovered the joys of this song
cycle.Beethoven's little work allegedly started the whole German song cycle craze. Most song cycles we know comprise many individual songs, and this one does, too, but Beethoven's prototype is a continuous stetting. Many recitalists will program just a few songs from a Schubert or Schumann or Wolf cycle, but I can't imagine anyone excerpting one song from this set. The final stanza of the opening song even comes back at the end—very cyclical.
Subscribe to:
Posts (Atom)