Showing posts with label Roberto Saccà. Show all posts
Showing posts with label Roberto Saccà. Show all posts

Monday, August 5, 2013

3sat Television Online – Salzburg's Seasons and Mastersingers

Dorothea Röschmann and Michael Schade 
I was watching Haydn's The Seasons from Salzburg again. It is an über-Austrian wonder of music making, with Nickolaus Harnoncourt, Dorothea Röschmann, Michael Schade, and Florian Boesch fronting the Viennese chorus and Philharmonic. Papa Haydn would be proud! The oratorio is a hymn of praise to God and nature. The libretto is kind of hokey—maybe naïve would be a nicer way to say it—but the three soloists give it their all.

Unfortunately, the 3sat Television feed kept freezing. The good thing is the screen-cap above. When the feed froze on this image, I just knew I had to share ittwo singers who love what they’re doing, and seem to love singing together. Here is the link to the Seasons feed.

Wednesday, August 8, 2012

Ariadne Auf Naxos – Zürich 2006 (Part 3: More Questions than Answers)


When the curtain opens on the “Opera” proper, we are in a replica of an actual Zurich restaurant.

  • Are we literally in the restaurant, or is this the set for the Opera?
  • Do we feel sad for Ariadne’s plight, or do we admire the Prima Donna’s artistry?
  • Are we supposed to know that the servers are the comedians and nymphs? Is that part of the Opera or is it "opera"?
  • The nymphs later are patrons in the restaurant. Is this literal, or are we supposed to understand this as part of the theatrical experience?
  • The comedians each play three roles in the Opera (or opera.) Do we take note of this, or are we not supposed to realize they are the same people?
  • It's played very realistically. but just how literally are we supposed to be taking this restaurant scene?

Sunday, August 5, 2012

Ariadne Auf Naxos – Zürich 2006 (Part 1: Is this the real life?)

 “Is this the real life? Is this just fantasy? 
Caught in a landslide, No escape from reality…”
- Queen, Bohemian Rhapsody

I keep trying to write my review of the 2006 Zürich Opera performance of Ariadne auf Naxos (staged by Claus Guth). But my notes continue to be no more than a series of questions. Questions are good, but I am not sure a list of questions actually constitues a review. Though now that I think if it, that could be a great new approach...or not.

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