Herheim’s Boheme – Must See DVD

So, this arrived yesterday. Everyone leave me alone. 

It’s a very Boheme Sunday. I’ll be back later to discuss. 

Herheim and Cenerentola – Yes, Please!!

Stefan Herheim's staging of Rossini's La Cenerentola at the Norwegian National Opera. Was it broadcast/streamed? Will it be broadcast/streamed? 

Herr Herheim may not be everyone's cup of tea; but I want to see everything he's touched! He is a director who works from and with the music; and he doesn't have a bad singing voice, either. Fingers crossed that this will appear in some video form (if not already). Meanwhile, let's enjoy this teaser video (as found at The Opera Platform).

EZ-Pass to Herheim's Meistersinger

If, like me, you are having a difficult time (particularly in the U.S) accessing this performance of Die Meistersinger at 3sat.de TV (and/or keeping it from freezing), some enterprising soul posted it You-Know-Where. Thanks to La Cieca for the tip. 

It's rumored that this production soon will be coming to the Metropolitan Opera. This announcement, in connection with the name Stefan Herheim, has already ruffled the delicate sensibilities of some regie-0-phobes. Not surprisingly, the outrage exploded before anyone has heard much about the actual production, much less actually seen and heard it. What I’ve seen so far doesn’t look nearly as freaky as, say, Herheim’s Parsifal or La Boheme; in general, I find Herheim's Personenregie thorough and convincing; so far so good, here. 

Act 1

3sat Television Online – Salzburg's Seasons and Mastersingers

Dorothea Röschmann and Michael Schade 

I was watching Haydn's The Seasons from Salzburg again. It is an über-Austrian wonder of music making, with Nickolaus Harnoncourt, Dorothea Röschmann, Michael Schade, and Florian Boesch fronting the Viennese chorus and Philharmonic. Papa Haydn would be proud! The oratorio is a hymn of praise to God and nature. The libretto is kind of hokey—maybe naïve would be a nicer way to say it—but the three soloists give it their all.

Unfortunately, the 3sat Television feed kept freezing. The good thing is the screen-cap above. When the feed froze on this image, I just knew I had to share it—two singers who love what they’re doing, and seem to love singing together. Here is the link to the Seasons feed.

What Did Entführung Ever Do To You?

Reri Grist as Blonde - 1980

My readers know I am a fan of reworking the classics. Many new angles and insights are revealed when we rethink tradition.  Sometimes these Regie-rethinkings are crap; sometimes they tell us something vaguely interesting, and sometimes they can be real eye-openers.  No opera is immune to a regie approach, but some get much more attention than others.

Lately, I've been pondering why Mozart’s Entführung aus dem Serail gets the regie treatment so often. More importantly, why do directors feel free to add and/or delete spoken text willy nilly?