I've been listening, in between Salzburg broadcasts (or not) and so far, I am most impressed with the
ladies of the cast (two of them, anyway). Here is a dreamy Ah guarda sorella,from thenewCosi:
P.S. In context (after the rather shouty opening trio of guys) this sounds even sweeter!
This is an excerpt from the forthcoming DG recording of Cosi fan tutte. It's the track you can download free atDG's "buzz" page: "Soave sia il vento" sung by Miah Persson, Angela Brower, and Alessandro Corbelli, with the Chamber Orchestra of Europe and Yannick Nézet-Séguin. Bon voyage!
Here is the follow-up to last year’s intriguing Don Giovanni, just released in Europe a few days ago and due in the U.S. on August 20. There are some lesser known names here, and most are worth keeping track of. The recording promises to be good, and it will be worth it just to hear Miah Persson's Fiordiligi again!
Rolando Villazón explains the plot* (in his inimitable, fun, animated, but confusing way):
If you missed the Met's direct webcast of this year'sLa Traviata, then zoned out last Saturday and missed the radio broadcast (like I did), BBC Radio 3 is giving you one more another chance! There are still 3 days left to hear this performance.
Violetta Valery...........Diana Damrau Alfredo Germont...........Saimir Pirgu Giorgio Germont..Placido Domingo And a host of others…plus
The Chorus and Orchestra of The Metropolitan Opera, New York
In response to this
week's Gratuitous Friday post, a reader mentioned that it would be appropriate
to postSeptember from the Four
Last Songs, since it is, in fact, September right now. I decided I'd go one
better, and post all three of the other songs. (In addition to including the
texts here, I added the text to Frühling.)
The glorious Dorothea Röschmann singing Spring from Strauss' Four Last Songs, with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. Unfortunately, there is no video of Frau Röschmann here, but there are some lovely, spring-like nature scenes to accompany her.
Frau Röschmann's voice seems ready-made for Richard Strauss. It’s interesting how many Mozart sopranos find that Strauss fits them as well. She has sung the Marschallin in Rosenkavalier, and a few light Wagner roles. One hopes that these recordings soon will appear commercially. Meanwhile, to round out our Richard Strauss week, here is the sound of spring: