Showing posts with label Rinaldo. Show all posts
Showing posts with label Rinaldo. Show all posts

Friday, March 31, 2017

Gratuitous Friday – Miah Persson: "Lascia ch'io pianga"

This is from Rene Jacobs' 2003 complete recording of Handel's Rinaldo, with Mia Persson as "a lovely Almirena," and the ever-reliable Freiburger Baroqueorchester. It may be the slowest performances of this aria I've ever heard. Halting, yet always moving forward, and beautifully ornamented in the da capo. Sigh!


Sunday, October 21, 2012

Sunday Brunch – Handel: Rinaldo - Il vostro maggio de' bei verdi anni

Sunday Brunch Silliness

The plot of Handel’s Rinaldo is strange and hard to follow, which somehow encourages directors to make interesting interpretive choices. This Robert Carsen production from Glyndebourne is a delicious concoction of beautiful singing and playing, and a slightly silly, lighthearted take on the story. In this scene, the sorceress Almida has conjured up sirens to lure Rinaldo to her lair.

Friday, September 7, 2012

Gratuitous Friday – Luca Pisaroni is Argante

This is from Robert Carsen's recent Glyndebourne production of Handel's Rinaldo. In this version, Argante is the school headmaster, who becomes the villain in the revenge fantasy of bullied schoolboy Rinaldo. 




Argante's entrance aria. He's not happy.

(And yes, I do note the irony of posting this clip the day after my fanboy post. Would it help if I said I had this one scheduled already, and wrote yesterday's post more recently? No? I thought not.)

Sunday, August 19, 2012

Sunday Brunch – Tim Mead is Eustazio

A relative newcomer, countertenor Tim Mead (whom I just noticed in the 2011 Glyndebourne Rinaldo) already has a growing international career.  He made his  Glyndebourne debut in 2006, covering for David Daniels in David McVicar's Giulio Cesare. He will sing Messiah with the New York Philharmonic in December 2012.

Here is an excerpt from Rinaldo. Instead of trying to come up with new superlatives, I am simply going to quote from BBC Proms – Opera Today:

Countertenor Tim Mead made a strong musical and dramatic impression as Eustazio, with vivid vigorous articulation and notable precision in the coloratura decorations. His is a truly appealing sound.
Handel Rinaldo, Act 2: "Siam prossimi!



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