We can still see the Glyndebourne Rosenkavalier for a few more weeks at concert.arte.tv. It will be gone soon. Not today or tomorrow, but well...March 2. So if you haven't seen it, do make time to do so—today, or tomorrow, or soon. Or, if you've already seen it, watch it again—with French or German subtitles.
A Voice of Moderation in the Extreme World of Opera Fanaticism
(With frequent gratuitous mentions
of Malin Hartelius, Dorothea Röschmann, and Luca Pisaroni)
Showing posts with label Tara Erraught. Show all posts
Showing posts with label Tara Erraught. Show all posts
Saturday, February 7, 2015
Monday, June 9, 2014
Three Rs: Rosenkavalier, Röschmann, and aRiodante (not together)
Dorothea Röschmann singing Faure, Liszt (somewhat surprisingly), Strauss, and Wolf
(less surprising) in recital from Wigmore on Radio BBC 3 (For
about 7 more days.)
Handel’s Ariodante in a 1997 performance from the Concertgebouw on Radio 4 Concerthuis (for about 16 more days) with Anne Sofie von Otter, Richard Croft, Marc Minkowski, and
others.
Wednesday, May 21, 2014
Tara Erraught: Eines der größtenTalente der Opernwelt
I wouldn’t even have heard about this if the director of
the Wolf Trap Opera Company Kim Pensinger Witman, hadn’t blogged about it. (I wasn’t
thrilled with the title of the post, but hey, whatever.)
Lord knows I don’t/won’t read that blogger-who-shall-not-be-named-at-my-blog, who made a point of firing everyone up. (I used to post a link to his blog but I decided I don’t want to encourage all his nonsense.) But then, I was curious about why this post here at RnR was suddenly getting (relatively) heavy traffic again.
Lord knows I don’t/won’t read that blogger-who-shall-not-be-named-at-my-blog, who made a point of firing everyone up. (I used to post a link to his blog but I decided I don’t want to encourage all his nonsense.) But then, I was curious about why this post here at RnR was suddenly getting (relatively) heavy traffic again.
Size-ism is so 1990s! So much has been said, that I have little to
add; but I do have two things to say about all the Tara Erraught hoopla:
- It's the director's fault.
- They love you in Germany, Tara! And I think you're great, too. Don't let the British press b*ast*rds get you down.
And then I found this video posted by the Bavarian Radio at
YouTube on May 16th. Tara Erraught: One of the greatest talents of the opera world!
Indeed! Brava
Tara!
Wednesday, February 26, 2014
Four Tito Teasers from Staatsoper TV
The Bayersiche Staatsoper has kindly shared four
short video excerpts from their webcast of La Clemenza di Tito. It's good to have another look.
Friday, February 21, 2014
Parto, ma tu ben mio – Tara Erraught at The Bayerische Staatsoper
Unfortunately, this clip is audio only, but it is “official” from the Staatsoper. I'm
pretty sure it's not from last Saturday's broadcast, as I don't remember quite
so much vibrato from Sesto*. I am still on the lookout for a copy of the video (aren't we all?). I'm not sure I want to re-watch the whole opera, but I’d definitely like to re-view
some of the arias and ensembles.
Tara Erraught (Sesto)
Markus Schön (Solo Clarinet)
Bayerisches Staatsorchester
Musical direction: Kirill Petrenko
Live recorded at the Bayerische Staatsoper on February 7, 2014
Live recorded at the Bayerische Staatsoper on February 7, 2014
*After writing this I looked below the clip at Soundcloud and
saw the date. Well boo on me for not reading, but kudos to me for noticing the
difference. Tara Erraught sounds over-parted here (over-partoed?) but she didn’t
seem so during the live broadcast. Maybe this was opening night jitters.
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