Watching the Radio – Vocal Treasure from Ö1 Radio

Among the vocal fun on Austria's  Ö1 Radio this week:

Weber’s Oberon, in a recording from 1996, featuring youthful performances by a few familiar singers:

Vesselina Kasarova (Fatime)

Peter Seiffert (Hüon von Bordeaux)

Bo Skovhus (Scherasmin)

Deon van der Walt (Oberon)

Inga Nielsen (Rezia)

Conducted by Marek Janowski

And Monday’s episode of Apropos Musik is 50 minutes of operetta, Broadway, and film music sung by your favorite opera stars. Slumming? No, not at all! It's kind of fun to hear lighter tunes (particularly the operetta) sung by such wonderful voices. The program features: Diana Damrau, Piotr Beczala, Anna Netrebko, Rolando Villazon, Elina Garanca, Renée Fleming, and others. (Well, perhaps AN's voice is not quite so operetta-friendly any more; but still, it's a nice little program)

P.S. "Lied der Eliza aus dem Musical "My fair Lady" is Ich hat getanzt heut' Nacht (gesungen auf Englisch– and DD pulls it off rather well, except for a little odd back-phrasing.)

Haïm Hair, No Haïm (Bass-Baritone Andrew Craig Brown)

Andrew Craig Brown, Bass-Baritone,

as featured at Barihunks.

Haïm (Sorry, no Hair – it’s a radio broadcast) with Händel

Gratuitous
Haïm Hair
Photo

On Ö1Radio this week:

Händel: Aci, Galatea e Polifemo 

(recorded 10/12/2013 in Vienna) 

Emmanuelle Haïm leads Le Concert d'Astrée with soloists Lydia Teuscher, Delphine Galou, and Laurent Naouri.

Two Py, Not Square (Dialogues des Carmélites and Hamlet)

Stage director Olivier Py is busy all over Europe these days. Videos of two of his latest productions can be viewed online (and they're not on YT, so they won't magically disappear without warning.) On a post over at the Parterre Box*,  redbear commented:

...his Theatre des Champs-Elysees “Dialogues” [is] a “perfection rarement atteintes” and the “Hamlet” in Brussels last month “brillante.”

At Arte Live Web, where you can watch a video of Dialogues des Carmélites (featuring French divas Véronique Gens, Sophie Koch, and Patricia Petibon as Blanche) for about six more months, we learn:

Francis Poulenc's composition is based on the eponymous drama by Georges Bernanos and is an outstanding masterpiece of French opera of the 20th Century. The historical setting and the extraordinary protagonists make "Dialogues of the Carmelites" as an impressive allegory on human existence, death and the relationship of people to each other and to God.

Then check out Ambroise Thomas' Hamlet at La Monnaie; and not just because there's a nude barihunk (thank you, barihunks.com). It also is an opera we don't get to hear that often, and it's an impressive production. Marc Minkowski conducts, and Stéphane Degout is the wonderful Hamlet (he was a super Pelleas last season, too); Degout's brief nakedness adds a special creepiness to a mother giving her grown son a bath. Mathieu Rémy as Laertes is a tenor to watch out for, too. You can see the full opera on France's Culturebox until June 2014. 

My fluency in French is slightly below survival level, so even though I know the basic plot of each opera, I found these synopses from the Metropolitan Opera very helpful:

Hamlet

Dialogues des Carmélites

*A rather interesting (and impressively civil) discussion regarding pros and cons of Regieoper.

May the Forza be with You

Thanks to Intermezzo for finding us the virtually (and probably wisely) unsearchable capture of Saturday's broadcast. I saw most of it live, but experienced some live stream issues. I also missed the plot setup during the prelude, so I am glad to have a chance to catch up. 

Although there are some incongruities in the staging, and Martin Kušej definitely sees the world through a “glass-half-empty” (or the toast landing on the floor, butter-side down) lens, I thought it was quite good overall. Of course, there’s some (really, really) wonderful singing, too! Get it before the toast gets cold!