Monday, January 19, 2015

Only 10 More Days to Watch this NSFW Don Giovanni from La Monnaie

At least the opening bit—the film during the overture, and some of the action in the opera box (and a few other bits)—is not safe for work (NSFW). 

I try not to be a prude; but every once in a while, I channel my Mom and purse my lips and say things like, “That’s quite unnecessary!” Then I channel my Dad, who would say something like, “Well! How ’bout that?” (…meaning, “I’m not sure quite what to think!”)

As I do so often, I waited till (virtually) the last minute to watch the current production of Don Giovanni at La Monnaie; and I haven't seen all of it yet. So far, I’d say we have a wig-fest for a sex-obsessed Donna Anna (Barbara Hannnigan, who seems like an odd choice, but is quite effective.) And another freaking-out Don Giovanni with a foot fetish and some interesting oral fixations (Jean-Sébastien Bou, whom I’d love to like better, but frankly he seems maybe the weakest voice in the cast—of course Don G is often the weakest character.) And another ironic, patient, and tolerant Leporello* (Bass-baritone Andreas Wolf, sounding charmingly baritonish.)

The entire cast seems fully committed to Krzysztof Warlikowski's vision.

Don Giovanni – Jean-Sébastien Bou
Leporello – Andreas Wolf
Donna Anna – Barbara Hannigan
Donna Elvira – Rinat Shaham
Don Ottavio – Topi Lehtipuu
Zerlina – Julie Mathevet
Masetto – Jean-Luc Ballestra
Commendatore – Willard White
Choeurs de la Monnaie, Symfonieorkest van de Munt/Ludovic Morlot
Stage Director – Krzysztof Warlikowski


*This is kind of off-point, but I think Leporello and Donna Elvira are my favorite characters in this opera. I’d like to see a spin-off for them! 

Monday, January 12, 2015

La Clemenza di Tito – An Austrian/Italian Co-Production

A co-production by the Scuola di Musica di Fiesole and the Universität Mozarteum Salzburg of Mozart's La Clemenza di Tito. I haven't had a chance to give it more than a cursory sample (noting: that there's a lot of wig business with Vitellia; that the costume designer must have hated the tenor; and that we hear some good, young, up-and-coming singers), but I wanted to share it right away! 

Here's a brief intro to the production (in German):




Here is a recording of one of the performances in Italy:


Act 1:




Act 2:



And here is a copy of the program from the Austrian performances. 

Thursday, January 8, 2015

Meanwhile, Streaming on Concert.Arte.TV

Natalie Dessay sings Michel Legrand; quite nicely, if you like this sort of thing (I do.)



Matthias Goerne's Winterreise rides again (till the end of February).



And, of course, there's Tito, Sesto, Vitellia, and the whole crazy gang.



Tuesday, January 6, 2015

Luca Pisaroni: Opera Nerd (Interview on Singing Bach & Handel & Mozart &...)

Mr. Pisaroni discusses how Bach fits into his career, as a performer of both concert and opera repertoire. This interview was conducted by Stepan Atamian at WKCR on December 22, 2014. Thanks, Stepan, for this great interview. Luca also talks about Handel, and Mozart; singing his first role at the Met; why he went back to Buenos Aries to study voice after he'd already made his professional debut in Europe; the difference between singing opera and oratorios; and why he makes and effort to attend opera and concert performances of his colleagues.

So, Luca, we've got some Handel, but let's hear more Bach from you!





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