Abstract Pieta ©2013 ~lanestonecyper
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At the height of his fame, Rossini walked away from opera and set
the sorrows of the Virgin Mary to music.
Rossini's setting is perhaps a bit bouncier than one might expect
on a Good Friday, and it doesn't really match the solemnity of the text. At the
same time, you might consider Rossini is focusing on standing beside Mary in
solidarity, faith, and love.
Or, you could simply appreciate this quartet as pure, beautiful, virtuoso, vocal music. As you look over the soloists listed below for this recording, you will discover another reason I really love this recording.
Anna Bonitatibus, mezzo-soprano
Martin Mitterutzner, tenor
Luca Pisaroni, bass-baritone
Cleveland Orchestra and Chorus
Franz Welser-Möst, conductor
Martin Mitterutzner, tenor
Luca Pisaroni, bass-baritone
Cleveland Orchestra and Chorus
Franz Welser-Möst, conductor
Sancta mater, istud agas, Holy Mother, grant this of yours,
Crucifixi fige plagas that the wounds of the Crucified be
well-formed
cordi meo valide. in my heart.
Tui Nati vulnerati Grant that the punishment of your wounded
Son
tam dignati pro me pati so worthily suffered for me,
poenas mecum divide. may be shared with me.
Fac me vere tecum fiere Let me sincerely weep with you,
Crucifixo condolere, bemoan the Crucified,
donec ego vixero! for as long as I live.
Juxta crucem tecum stare To stand beside the cross with you,
Te libenter sociare and for me to join you
in planctu desidero. in mourning, this I desire.
Virgo virginum praeclara, Chosen Virgin of virgins,
mihi jam non sis amara; to me, now, be not bitter;
fac me tecum plangere. let me mourn with you.
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