Watching Annette Dasch's
Milan Elsa—similarly bewildered as her Bayrueth Elsa but more girlish—I
thought, “I really love this girl.” Elsa von Bayreuth is already set up as a
martyr, and one feels distanced from her. But Elsa di Milano is more of a
dreamy, innocent girl; she seriously doesn’t know what she’s getting in to. Elsa's
fascination is not romantic love at all to me. She's intrigued. She's
attracted. It's like she just found a puppy (a really, really cute puppy). When
it dawns on her that Lohengrin might really be Gottfried, (and egged on by
Ortrud) she just has to find out. A Voice of Moderation in the Extreme World of Opera Fanaticism
(With frequent gratuitous mentions
of Malin Hartelius, Dorothea Röschmann, and Luca Pisaroni)
Showing posts with label Tómas Tómasson. Show all posts
Showing posts with label Tómas Tómasson. Show all posts
Monday, January 14, 2013
The La Scala Lohengrin – I think I may be in love with Annette Dasch (Sort of an Actual Review)
Watching Annette Dasch's
Milan Elsa—similarly bewildered as her Bayrueth Elsa but more girlish—I
thought, “I really love this girl.” Elsa von Bayreuth is already set up as a
martyr, and one feels distanced from her. But Elsa di Milano is more of a
dreamy, innocent girl; she seriously doesn’t know what she’s getting in to. Elsa's
fascination is not romantic love at all to me. She's intrigued. She's
attracted. It's like she just found a puppy (a really, really cute puppy). When
it dawns on her that Lohengrin might really be Gottfried, (and egged on by
Ortrud) she just has to find out.
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