Malin Hartelius on (and some other singers, too...)
Malin Hartelius, Soprano
Marianne Crebassa, Mezzo
Andrew Staples, Tenor
Camerata Salzburg
Louis Langrée, Conductor
Marianne Crebassa, Mezzo
Andrew Staples, Tenor
Camerata Salzburg
Louis Langrée, Conductor
Mozartwoche #13
Mozart & Gluck La clemenza di Tito
Mozart: Ouvertüre zu La clemenza di Tito KV
621
Gluck: Arie des Tito
Nr. 6 Di quel sublime soglio Mr.
Mozart: Arie des Tito Nr. 6 Del più sublime soglio Mr.
Mozart: Arie des Sesto Nr. 9 Parto, parto, ma tu, ben
mio Ms. Crebassa
Gluck: Arie des Sesto
Nr. 10 Parto, parto, ma tu, ben mio
Gluck: Ouvertüre,
Rezitativ und Arie der Vitellia Nr. 14
Ah! taci barbaro; Come potesti, oh Dio Ms. Hartelius
Ah! taci barbaro; Come potesti, oh Dio Ms. Hartelius
Gluck: Arie des Tito
Nr. 16 Tu, infedel, non hai difese
Gluck: Arie des Sesto
Nr. 18 Se mai senti spirarti sul volto
Mozart: Rezitativ Nr. 22 und Rondo Nr. 23 der Vitellia
Ecco il punto, oh
Vitellia; Non più di fiori vaghe catene
Mozart: Symphonie D-Dur KV 504 "Prague"
This was fun although Louis Langrée's Mozart is awfully polite. The Erika Köth thing later that day is also worth a listen.
ReplyDeleteThanks for the reminder about the Erika Köth program. I started it but I don't remember why I didn't finish.
DeleteThe most interesting bits of this program are
1. Any Time MH is singing
2. Comparing the Gluck to the Mozart settings of the texts. And in the "Ah! taci barbaro" I kept thinking this sounds like Eurydice's "anger" aria!
My untrained ear thinks lots of Gluck sounds like lots of other Gluck. Not that that's a bad thing, necessarily.
DeleteWell, come to think of it, other than one aria from Alceste, Orfeo ed Eurydice is the only music of Gluck I know. And yes, I suppose it's a good thing that Gluck's music sounds like other music by Gluck. He probably even did that on purpose!
Delete